Online discussion with experts in framework of the exhibition Adolf Loos and Pilsen.
Barry Bergdoll is Meyer Shapiro Professor of Art History at Columbia University and the former Chief Curator of Architecture and Design at the Museum of Modern Art (2007-14). He has published widely on issues in 19th and 20th century architectural history with a particular focus on France and Germany. In addition to such publications as European Architecture 1750-1890 published in the Oxford History of Art series in 2000, Bergdoll has offered rereadings of major figures of modern architecture in a series of exhibitions on Mies van der Rohe (2001), Le Corbusier (2013 with Jean Louis Cohen), and Frank Lloyd Wright (2014 and 2017). He serves currently as the President of the Board of the Center for Architecture in New York.
Julia Secklehner is a Research Associate at the Department of Art History, Masaryk University, Brno. She holds a PhD in Art History from the Courtauld Institute of Art, London, and specialises in the history of art and visual culture in central Europe. Her current research on vernacular and regional modernisms and the avant-garde is part of the collaborative project “Continuity / Rupture: Art and Architecture in Central Europe, 1918-1939 (CRAACE)”.
Michael Haider is director of the Austrian Cultural Forum New York since 2018. In the Austrian Foreign Service, his previous assignments include positions in press and culture at the Austrian embassies in Belgrade and Prague. From 2007 to 2011, Haider was director of the Austrian Cultural Forum Tokyo. Last year, he held the rotating presidency of the EUNIC Cluster New York, the European network of organizations engaging in cultural relations. He holds a Ph.D. in history from the University of Vienna.
“His architecture represents many things that were wrong with the old world, such as social, economic and gender inequalities, his published articles were and still are scandalous and his argumentation is more or less chaotic and invalid. On the other hand, however, his architecture has undeniable spatial qualities and his idea of open and consequential living space as well as his unique way of designing architecture and using classical proportions for modern structural possibilities is fascinating.”
Ladislav Jackson is an art and architecture historian, a faculty member and a vice-dean at the Faculty of Fine Arts, Brno University of Technology. He teaches courses on the 20th Century art, architecture and design history. In his research he focuses on East-Central European architectural modernism. Since 2016 he has been researching the life and work of Jaroslav J. Polívka in global perspective. In the last 8 years, he authored, edited or co-edited over 20 books on architecture and design history. Between 2016 and 2017 he was a Fulbright visiting researcher at UC Berkeley. He also specializes in feminist and queer history of visual culture; his edited book “Images of Queer Desire” is coming out in 2021.
Filip Šenk, PhD. is an art historian focused on 20th and 21st centuries art and architecture. He is currently the head of the Art and Architecture Theory and History Department at the Faculty of Art and Architecture, Technical University of Liberec. He co-curated the online exhibition Raumplan and Contemporary Architecture at the Jaroslav Fragner Gallery in Prague in 2020.
Kimberly Elman Zarecor is Professor of Architecture at Iowa State University where she teaches courses in architectural history and design. She holds a Master of Architecture degree and a Ph.D. in Architecture from the Graduate School of Architecture, Planning, and Preservation at Columbia University. Her research examines the cultural and technological history of architecture and urbanism in the former Czechoslovakia. She is the author of Manufacturing a Socialist Modernity: Housing in Czechoslovakia, 1945-1960 (University of Pittsburgh Press, 2011). Her work has also appeared in a number of journals, edited volumes, conference proceedings, and exhibition catalogs. She is currently researching and writing about shrinking places, both post-socialist industrial cities in the former Soviet Bloc and small rural communities in the American Midwest.
PARTNEŘI TÉTO UDÁLOSTI
Austrian Cultural Forum, City of Pilsen, Pilsen Region, UIA, Iowa State University, Czech Tourism, Rok Adolfa Loose, ZPC Galerie